Friday, March 27, 2015

Jimmy Johnstone 1944 - 2006





Jimmy Jinky Johnstone was one of the Lisbon Lions and although just a wee man he was a giant soccer hero to thousands and thousands of fans of the beautiful game. Jimmy played for Celtic and Scotland and was the master of the tanner ba' being able to turn on a sixpence. Jimmy learned his trade on the streets of Glasgow, perfecting his balance and poise suffice as a professional player he could roll and twist or jink to the absolute delight of half the crowd and the pure disdain of the opposition supporters. Tommy Docherty , ex manager of Manchester United and Scotland was once asked to comment on what it was like to manage Jinky Johnstone. His reply was you don’t bother Jimmy with game tactics, just give him the ball and wait for it up the other end to be delivered to your feet or head. Off the park the wee man had his demons and liked too much of the singing syrup and eventually his health deteriorated. Sadly the gifted player fell victim in his mature years to motor neurone disease and despite a brave fight he succumbed and passed away on Monday 13/03/06.



Friday, March 20, 2015

Middle of the Road (Sally Carr)



The Electrons were formed in 1964 and consisted of brothers Ian and Eric McCredie (formerly of The Dominos) and drummer, Ken Andrew (former The Talismen Beat Unit). They later changed their name to the Douglas Boys and backed Glasgow singer, Jan Douglas. In 1967 Sadie Carr (stage name Sally Carr) joined the group as a replacement lead singer when they were Part Three, Sally stayed and the group became Part Four. Latin American numbers featured heavily in their live act and their management encouraged them to reflect this in their name, Part Four became Las Caracas in 1967. For the next three years, the group toured the UK and in 1968 they appeared in ATVs talent show, Opportunity Knocks with Hughie Green.



The band did very well winning many of the heats but despite their popular appeal no interest was shown from recording companies. Sally, Ken and Eric turned professional in 1969 and Ian joined them a year later. The band had plans to move to Argentina, but delayed their decision to play on a cruise ship to the Caribbean. A new name was necessary and Ken thought of Middle of the Road, all agreed and the band was launched. On route to South America the band hit a hitch whilst in transit in Italy. Left stranded and penniless they worked the local restaurants. The group was heard by an RCA, A & R executive, who invited them to Rome for a recording test. Things went well and they recorded three songs Yellow River, I can't tell the bottom from the top and Jesus Christ Superstar. The company liked them so much, they included these recordings later on their first album.



At first MoR were used to back Italian pop singers including Sophia Loren.



The record did well in Italy and was the first of many film themes to be recorded by the group. RCA Italiana teamed the group with Italian producer, Giacomo Tosti in 1970 who found Chirpy cheep cheep which was written and recorded by Lally Stott. When the band heard it at first, they expressed reserve but Sally soon convinced them it was a good idea. Copious supplies of Bourbon were available in the studio when the song was recorded but on its release it went to Number one in many countries including the UK.



C4 stayed in the UK hit parade for 35 weeks and sold 8 million records world-wide elevating Middle of the Road to the third most popular recording artists in the Billboard Charts in 1971. Writers, Mario and Giosy Capuano joined the production team who produced a string of International hits. “Tweedle Dee Tweedle Dum," their second single was used in a Fiat promotion for the launch of the Fiat 127. Car and single did very well.



"Soley Soley," was produced by Giacomo Tosti and penned by Spanish songwriter, Fernando Arbex, with lyrics co-written by Sally. The song was recorded in Madrid and got to Number 2 in the UK charts.



Despite their fame on the Continent and obvious commercial success, Middle of the Road was not promoted in the UK. The band toured nonstop around the world for the next two years and visited Brazil, Malaysia, Hong Kong, South Africa, Australia, New Zealand, and Japan. The next single Sacramento, reached the top ten charts in most of Europe, including many of the East European countries like East Germany, Rumania, Bulgaria, Hungary and Poland.



Together Samson and Delilah, Yellow Boomerang and Talk of all the USA, sold over 2 million copies in Europe alone.











Neil Henderson (former Bay City Rollers) joined the group but by the mid seventies, the band was beginning to lose their mojo, and tastes in popular music were changing. Abba who once were the warm up band at MoR gigs, were now in the ascendancy. MoR changed labels but despite serious attempts to reconfigure their musical style, the band had no further success. A marketing war between Ariola and the giant RCA Corporation ensued and old recordings not previously released prevented their new works from impacting. Eventually Sally left to the band in 1977 to follow a solo career. A year later Ken left while Ian and Eric continued to exploit what was left of the Middle of the Road’s reputation. In 1981 Sally and Ken returned to MoR for a short time to re- record and perform their old hits. In 1991 they were back together again for a German TV gig and enjoyed a renaissance on the European nostalgia circuit. The band is still together as, Middle of the Road featuring Sally Carr, with originals, Ken Andrew and Neil Henderson. Shug Devlin (keyboards) and Phil Anderson (guitar and vocals) complete the lineup.





Worth a listen:
Chirpy Chirpy Cheep Cheep (1971)
Tweedle Dee Tweedle Dum (1971)
Soley Soley (1971)
Sacramento (1972)
Samson and Delilah (1972)
Talk of all the USA (1972)
Yellow Boomerang (1973)
Kailakee Kailako (1973)

Monday, March 16, 2015

St Patrick was a Scotsman




St. Patrick of Ireland was born circa 385 Ad at Kilpatrick, near Dumbarton, in Scotland. The parents of Maewyn Succat (or Patricius) were wealthy Romans living in Britain. His father was a deacon. When Patricius was fourteen, he was captured during a raiding party by Irish marauders and taken to Ireland as a slave. He was sold as a slave to a Michu, an Irish chieftain and remained there for six years and became a shepherd. Patrick sought solace in his predicament and prayed while he looked after the sheep. His spirituality brought the boy strength even although his captor was cruel and demanding. Patrick was clever and taught himself the Gaelic as well as studied druidism, the predominant religion in Ireland at that time. He escaped slavery when aged twenty, and returned to Scotland to reunite with his family.



He studied to be a priest and was ordained by St. Germanus, the Bishop of Auxerre before being sent by Pope Celestine as a bishop to take the Gospel to Ireland. The young man’s heart was still in Ireland and eventually when Pope St Celestine decided to make Ireland a Christian country St. Patrick was given the mission of evangelizing the Irish. Patrick became the special Apostle of the Irish nation.



He arrived in Ireland in 433 AD and from the onset met with hostility from the Druids. Overcoming hostilities, he converted the chieftain Dichu and began preaching the Gospel throughout Ireland. He was a humble and brave priest who wore rough clothing and slept on hard rock bed. Patrick went from region to region winning respect and eventually the faith of the populous. As evidence of his presence Patrick is thought to have left his foot print on one of shore rocks just at the entrance to Skerries harbor.



Wherever he went on the Emerald Isle the fame of his miracles and sanctity went before him. After 40 years of living in poverty, traveling and enduring much suffering Patrick worked many miracles and established Ireland as Christian country. He retired to County Down and died on March 17 in AD 461. That day has been celebrated as St. Patrick's Day ever since. There are many legends surrounding St Patrick most of which cannot be verified. Some of the more common were:



Patrick used the shamrock (a three leaf clover) to explain the Trinity and this icon became associated with the Irish ever since.



Another legend was Patrick drove all the snakes out of Ireland; snakes were a popular symbol among the Irish pagans.



He used bonfires to celebrate Easter since the Irish were used to honoring their gods with fire. He also superimposed a sun onto the Christian cross to create what is now called a Celtic cross. The sun was a common symbol in Irish paganism and veneration of the symbol appealed to the Irish converts. By the seventh century, St Patrick was revered as the patron saint of Ireland.



Wednesday, March 11, 2015

Valentine & Sons Ltd of Dundee





The Valentine company was founded in Dundee by John Valentine (1792–1868), in 1825 and originally provided engraving, printing and supply of business stationery. James Valentine was born in 1815 in Dundee, the second of the five children of John and his wife, Mary Valentine née Watson (1790-1866). Valentine studied photography at the University of St Andrews and after learning the daguerreotype process in Paris in the late 1840s added portrait photography to the family business in 1851. In 1855 Valentine erected one of the largest photographic glasshouses in Britain and the company began selling Scottish topographical view photographs in 1860. They later added portrait photography to their activities.



More and more the company catered to the growing tourist industry by producing photographic prints with views from around the country. They produced drawing room albums and individual prints of Scottish landscapes. These were available in a choice of sizes cabinet, imperial and card. Stereoscopic views were also produced. Valentine & Sons Ltd were given their first Royal commissioned in 1866 and received the Royal warrant in 1867. James Valentine received a commission from the Queen to photograph a set of 40 views of Highland scenery and in 1868 was appointed as the Royal Photographer.



Valentine & Sons Ltd became widely known after the Tay Bridge disaster in 1879, when they were commissioned to photograph the remains of the bridge for the Court of Inquiry. The pictures were subsequently sold across the country, and used in picture postcards. By 1882 the company extended their landscape range to include England and fashionable resorts abroad, including Norway, Jamaica, Tangiers, Morocco, Madeira and New Zealand.



Valentine & Sons printed its first postcards in 1898. Canadian production began between 1903 and 1906 with offices established first in Montreal and then Toronto. The earliest Canadian postcards published by Valentine and Sons were monotone black, collotype views showing the scenery along the main line of the Canadian Pacific Railway north of Lake Superior and in the Rocky Mountains. By the turn of the century Valentine and Sons of Dundee was Scotland’s most successful commercial photographers and was internationally famous as the producers of picture postcards.



By the early 1900s they also had a growing trade in Christmas cards and children's books and had begun to publish fancy cards. In 1907, at the height of the postcard revolution, the photographs they published showed scenes from around the world. Often regarded as only postcard publishers, Valentines produced images in various formats including fine early photographic prints. In 1908 they became the official postcard publishers for the international Franco-British exhibition at the White City. By the time of the First World War they had become a world-wide name with office branches in Canada, South Africa, Australia, America and Norway.



In the 1920s they expanded their trade in Christmas cards and calendars and then to greetings cards which forms the basis of their business today. All interests outside of Great Britain were sold in 1923. By 1929 they had given up their photo portraiture work to concentrate solely on postcard production. But they did not anticipate the public’s growing demand for color cards and by the 1950’s their business was suffering. In return they put most of their efforts into greeting cards. In 1963 the company became a subsidiary of John Waddington Ltd.



Mabel Lucie Attwell (1879 – 1964) was a British illustrator, known for her adorable , nostalgic drawings of children which featured on many postcards, advertisements, posters, books and figurines. She studied at Heatherley's and Saint Martin's School of Art, but because of her dislike of the emphasis on still-life drawing and classical subjects left to develop her own interest in imaginary subjects. She worked as an illustrator and took individual commissions to illustrate children’s books including J.M. Barrie’s Peter Pan and Wendy ; greeting cards; and advertising illustrations. She was very much an observer of the times and reflected this in her art. Her cute children show many adult traits and thus ensured a wide appeal to the audiences of the times. Her samall gilr character as based upon her daughter, Marjorie, ( Peggy). Soon her distinctive designs of animals and small green elves in green suits called ‘Boo Boos’ appeared on cups, mugs, bowls etc. She also produced a tea set; the teapot was in the shape of a mushroom house, the sugar bowl was a mushroom with the top cut off and the milk jug was a green Boo Boo in a coy saluting pose. Valentine and Sons issued two series of her 30s and 60s works entitled the Valentines Attwell Series .



Gradually Valentine’s greeting card gradually replaced the picture postcard and what remained of a card making empire was sold to Hallmark Cards Inc. in 1980. The Dundee operations closed in 1994.

Further Reading
Metropolitan Postcard Club of New York City
Valentine Postcards

Friday, March 6, 2015

The Bay City Rollers



In 1967 Alan Longmuir (bass) and brother Derek (drums), Gordon Nobby Clarke (singer) and John Devine (guitar) were in a Scottish group called Saxon. They thought the moniker was too English sounding and according to legend found the group’s next name by throwing darts at a map of the United States. Why it was not a map of Scotland (being fiercely Scottish) is not clear but the Bay City Rollers were born. The Rollers were a very popular club act in the late 60s and soon snapped up by Bell Records. Their first single was a cover version of Gentry’s "Keep on Dancing." The record was produced by Jonathan King (Everyone’s gone to the moon) and entered the top ten in UK.



In June 1972, Eric Faulkner (lead guitarist) joined the band and then Les McKeon (1973) replaced Nobby Clarke, and Stuart “Woody” Wood (rhythm guitar). This stabilised the quintet's line up. Their next three singles flopped but in 1974 they had a minor hit with "Remember (Sha La La La)."



From this point forward the Rollers became a teen sensation in Great Britain with everyone of them dressed in plaid. The tartan clad Rollers won a song contest, sponsored by Radio Luxembourg with a song called "Mañana. " which proved popular in Europe and Israel thereby spreading their appeal.



When the Rollers were not doing cover versions many of their early hits were written by Bill Martin and Phil Coulter. The writers had previously written Sandy Shaw’s hit “Puppet on a string,” and Cliff Richard’s “Congratulations.” Over the next three years the Rollers released a string of successful hits including, "Remember (Sha La La La),” "Shang-a-Lang," “Summerlove Sensation,” and "All of Me Loves All of You.” In the spring of 1975, they had become one of the biggest selling acts in Britain.











  Rollermania took hold of the UK as the Rollers undertook a national tour. "Bye, Bye, Baby" (previously recorded by the Four Seasons) stayed at #1 in the UK for six weeks and "Give A Little Love" topped the charts in the summer of the same year.







By autumn (fall), they were number one on the US Billboard Hot 100 with "Saturday Night," a second US hit came with "Money Honey" which reached #9.







A Dusty Springfield song "I Only Want To Be With You" reaffirmed their popularity in the UK.



By the end of the 70s, the Rollers had lost much of their fan base and the last single to make the charts was "It's A Game" (1977).



Meantime Alan Longmuir left the band because he felt he was too old for the lineup. He was replaced briefly by Irish American, Ian Mitchell, who in turn was replaced by guitarist Pat McGlynn. Alan Longmuir re-joined the band in 1978. The Rollers branched out into children’s television in both the UK and the US but when their manager Tam Paton was sacked in 1979, and Les McKeown's was replaced as lead singer by Duncan Faure, a South African singer, the days of the Bay City Rollers, was over. During the 80s and 90s, there were various short-lived revivals featuring some of the original members. In 1999, the most-famous line-up of Alan, Derek, Woody, Les and Eric briefly reunited for a new LP and tour. Currently, there are two touring versions of the group: Les McKeown's Legendary Bay City Rollers and Ian Mitchell's Bay City Rollers. Each group features only its titled member from the original Rollers heyday.




Worth a listen:
Keep On Dancing
Mañana
Remember (Sha La La La) (1974)
Shang-a-Lang (1974)
Summerlove Sensation (1974)
All of Me Loves All of You (1974)
Bye, Bye, Baby (1975)
Give A Little Love (1975)
Saturday Night (1975)
Money Honey (1975)
I Only Want To Be With You (1975)
It's A Game (1977)

Sandy Shaw
Puppet on a string